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It didn’t hurt his standing in the field (turgidity can pass for professionalism), but no one reads him any more. Let me show you an example from a renounced sociological theorist of the 20th century, Talcott Parsons, who was famously difficult to follow.
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They’re often necessary, since abstract forces are a central factor in shaping social life.But some nominalizations are ok, since they simplify the sentence, refer to previous action, or are so familiar they act as nouns (abortion, taxation without representation, etc.).Use verbs to convey important actions instead of turning verbs into nouns the latter is known as nominalization, which is itself an instance of the problem.Sort out necessary complexity from unnecessary complexity so the line of action is clear.Using the first person is ok it’s your paper, so you’re an actor too.Try using “you” as the subject, then maybe substitute an appropriate actor.
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#ACTIONS FOR ACTORS DOWNLOAD#
To learn more, and download your copy, visit the iTunes website.
#ACTIONS FOR ACTORS HOW TO#
Share your actions on social media or by emailįull instructions on how to use actioning in rehearsal, plus how to use the app
#ACTIONS FOR ACTORS FULL#
In addition to the full list of action-words found in the book, the app includes:Ī to Z search, and predictive search functionĮmotional groupings to help you pinpoint the action you requireīookmark, note-making and random word functions This bestselling book is now available as an app for iPhone, iPad and iPod Touch. 'If you want to act, or act better, Actions will take you a long way on the journey to excellence' Terry Johnson The method of 'actioning' is widely used in rehearsal rooms, but has never before been set down in a systematic and comprehensive way. Using this thesaurus of active verbs, the actor can refine the action-word until s/he hits exactly the right one to help make the action come alive. A vital companion for actors in rehearsal - a thesaurus of action-words to revitalise performance, with a foreword by Terry Johnson.įinding the right action is an essential part of the process of preparation for the actor.